trchambers
-
ArtistTom R. Chambers -
Typeimage -
Dimensions16"x20" -
Price$300
PSMA-46 plays on Suprematist variations of Kazimir Malevich's early works prior to "Black Square" after glitch treatment and magnification of the digital reproductions. These pixel configurations...
PSMA-46 plays on Suprematist variations of Kazimir Malevich's early works prior to "Black Square" after glitch treatment and magnification of the digital reproductions. These pixel configurations ("Pixelscapes") rival works in Suprematism, Abstraction, Minimalism, Geometric, and Color Field art movements. They are brought to the forefront via these early works to celebrate Malevich's latent and ultimate creativity which gave way to Suprematism with the display of "Black Square" and other works in 1915 as part of the Last Futurist Exhibition of Paintings 0,10. A "glitch" is a disruption in a system. Also, Glitch Art - the aestheticization of digital or analog errors - is a current, viable art form that includes workshops, lectures, performances, installations and screenings worldwide.
trchambers 23-09-20 17:37
During the latter part of 2000, Chambers began to look at the pixel within the context of Suprematist/Minimalist art. He equated the pixel with the works of non-objective artists like Vasily Kandinsky, Barnett Newman, Mark Rothko, Ad Reinhardt, Kazimir Malevich, Piet Mondrian and others. They generated works to establish an abstract visual language